"Kol Nidrei" by Mohammed Fairouz, Maya Beiser had its release date on July 29, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "TranceClassical". In this album, this song's track order is #7. Kol Nidrei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Kol Nidrei by Mohammed Fairouz, Maya Beiser having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM | ||
Eleven Partite diverse sopra "Sei gegrüßet, Jesu gütig": Variation I | Johann Sebastian Bach, Ralph Downes | F Major | 2 | 7B | 66 BPM | ||
Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | C Minor | 2 | 5A | 144 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Zabur, Pt. 1: Part I: And so now what seemed so urgent before (Dawoūd) | Mohammed Fairouz, Michael Kelly, Indianapolis Symphonic Choir, Indianapolis Symphony Orchestra, Eric Stark | E Minor | 1 | 9A | 85 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
3 Zweistimmige Lieder, Op. 43/1: I. Wenn ich ein Vöglein wär | Robert Schumann, Barbican Quartet | N/A | N/A | N/A | 0 BPM | ||
Andante for Strings | Ruth Crawford Seeger, Schönberg Ensemble, Oliver Knussen | F Major | 0 | 7B | 56 BPM | ||
Tabula rasa: I. Ludum | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson, Simone Lamsma | A Minor | 2 | 8A | 121 BPM | ||
Litany | Mohammed Fairouz, James Orleans, Jonathan Engle, Claire Cutting, Vasko Dukovski, Thomas Fleming | G Minor | 1 | 6A | 83 BPM |