Matt Haimovitz, Christopher O'Riley's 'Suite italienne (Version for Cello & Piano): III. Aria' came out on February 5, 2016. With this song being about 5 minutes long, at 5:21, "Suite italienne (Version for Cello & Piano): III. Aria" by Matt Haimovitz, Christopher O'Riley is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #10. Suite italienne (Version for Cello & Piano): III. Aria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite italienne (Version for Cello & Piano): III. Aria by Matt Haimovitz, Christopher O'Riley having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Paris Sky for Solo Cello (from the Book of Longing) | Philip Glass, Matt Haimovitz | C Minor | 1 | 5A | 126 BPM | ||
For Children Vol. 1, Sz. 42: No. 3 Quasi adagio | Béla Bartók, Lars Vogt | E Minor | 0 | 9A | 62 BPM | ||
Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
The Rest | Ari Frankel, Joseph Tawadros, Gibran Khalil Gibran, Andreas Scholl, Tamar Halperin | F Major | 1 | 7B | 81 BPM | ||
Iridescent Gest | Justine F. Chen, Matt Haimovitz | G Major | 0 | 9B | 80 BPM | ||
Angel Heart, Pt. 2: Chapter 11b, Oh the North | Luna Pearl Woolf, Jeremy Irons, Matt Haimovitz, Uccello | D Major | 2 | 10B | 148 BPM | ||
Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
Sonata For Violoncello Solo Part 2 | Matt Haimovitz | G Major | 4 | 9B | 115 BPM | ||
Petite Ouverture à danser | Erik Satie, Alexandre Tharaud | B♭ Major | 0 | 6B | 96 BPM | ||
Eyes Shut - Nocturne in C Minor | Ólafur Arnalds, Alice Sara Ott | C Minor | 0 | 5A | 107 BPM |
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