"Requiem in D Minor, K. 626: Sequence No. 1: Dies Irae" by Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik had its release date on January 1, 1995. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Peter Marschik's "Mozart, W.A.: Requiem / Ave Verum Corpus / Bruckner, A.: Ave Maria / Locus Iste / Christus Factus Est" album is number 3 out of 18. On top of that, United States appears to be the country where this track was created. Requiem in D Minor, K. 626: Sequence No. 1: Dies Irae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: Sequence No. 1: Dies Irae by Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Day-dah Light (Banana Boat Song) | Vienna Boys' Choir | E♭ Major | 0 | 5B | 74 BPM | ||
Over The Rainbow | Vienna Boys' Choir | D Major | 4 | 10B | 136 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Recitative. "Thy Hand, Belinda" - Song. "When I Am Laid in Earth" (Dido) | Henry Purcell, Joyce DiDonato, Il Pomo D'oro, Maxim Emelyanychev | F♯ Minor | 0 | 11A | 77 BPM | ||
Salve Regina in C Minor - Transp. in A-Flat Minor | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Minor | 0 | 12A | 82 BPM | ||
Symphony No. 3 In D Minor / Part 2: V. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel" | Gustav Mahler, Anne Sofie von Otter, Wiener Philharmoniker, Pierre Boulez, Women Chorus of Singverein der Gesellschaft der Musikfreunde, Vienna Boys' Choir | E♭ Major | 0 | 5B | 131 BPM | ||
Mass in C Major, K. 317 "Coronation": II. Gloria | Wolfgang Amadeus Mozart, Barbara Bonney, Catherine Wyn-Rogers, Jamie MacDougall, Stephen Gadd, The English Concert, Trevor Pinnock, The English Concert Choir | G Major | 3 | 9B | 138 BPM | ||
Vinci: Artaserse: I. Allegro | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 5 | 3B | 137 BPM | ||
Missa brevis In C, K.220 "Spatzenmesse": 3. Credo | Wolfgang Amadeus Mozart, Edith Mathis, Tatiana Troyanos, Horst Laubenthal, Kieth Engen, Bavarian Radio Symphony Orchestra, Rafael Kubelík, Regensburger Domspatzen, Hans Schrems | F Major | 1 | 7B | 85 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1 Scene 19: "Protegge il giusto cielo" (Donna Anna, Don Ottavio, Donna Elvira) | Wolfgang Amadeus Mozart, Cheryl Studer, Riccardo Muti, Wiener Philharmoniker | B♭ Major | 0 | 6B | 70 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Dame Joan Sutherland, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | F Major | 1 | 7B | 67 BPM |