"Acht Kleine Präludien Und Fugen In E-moll, Bwv 555" by Ton Koopman was released on June 1, 1990. The duration of Acht Kleine Präludien Und Fugen In E-moll, Bwv 555 is about 3 minutes long, at 3:25. Based on our data, "Acht Kleine Präludien Und Fugen In E-moll, Bwv 555" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ton Koopman's "Johann Sebastian Bach: Orgelwerke V" album is number 9 out of 17. Acht Kleine Präludien Und Fugen In E-moll, Bwv 555 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Acht Kleine Präludien Und Fugen In E-moll, Bwv 555 by Ton Koopman to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Peter de Groot, Ian Honeyman, Peter Kooij, Paul Dombrecht | E♭ Minor | 2 | 2A | 70 BPM | ||
Concerto grosso op. 6 no. 1 in G major HWV 319: I. A tempo guisto | George Frideric Handel, Combattimento Consort Amsterdam, Jan Willem de Vriend | A Minor | 0 | 8A | 70 BPM | ||
Premier Concert: Allemande - Légèrement (Couperin) | Le Concert Des Nations, Jordi Savall | D Minor | 2 | 7A | 167 BPM | ||
Sonata in B Minor, K.87 | Domenico Scarlatti, Daria van den Bercken | B Minor | 1 | 10A | 77 BPM | ||
Miserere in C minor: Sicut erat | Thomas Hengelbrock | E Major | 1 | 12B | 102 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Buxtehude: Ich bin die Auferstehung und das Leben, BuxWV 44 | Dietrich Buxtehude, Ton Koopman, Peter Kooij, Amsterdam Baroque Orchestra | B Major | 1 | 1B | 87 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Trio Sonata in G Minor: II. Allegro un poco | Johann Friedrich Fasch, Danubius Ensemble | C Minor | 2 | 5A | 122 BPM | ||
12 Sonatas of III parts Z790-801: Sonata No. 1 in G minor Z790 | Henry Purcell, Pavlo Besnosiuk, Rachel Podger, Christophe Coin, Christopher Hogwood | F♯ Minor | 1 | 11A | 137 BPM |
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