"Paulus, Op.36, MWV A14 / Part 1: No.3 Choral: "Allein Gott in der Höh' sei Ehr"" by Felix Mendelssohn, MDR Leipzig Radio Chorus, GewandhausKinderchor, Gewandhausorchester, Kurt Masur had its release date on January 1, 1987. With This song being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Gundula Janowitz, Rosemarie Lang, Hans Peter Blochwitz, Theo Adam, Gothart Stier, MDR Leipzig Radio Chorus, Jörg Peter Weigle, GewandhausKinderchor, Ekkehard Schreiber, Gewandhausorchester, Kurt Masur's "Mendelssohn: Paulus" album is number 3 out of 41. On top of that, Netherlands appears to be the country where this track was created. Paulus, Op.36, MWV A14 / Part 1: No.3 Choral: "Allein Gott in der Höh' sei Ehr" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Paulus, Op.36, MWV A14 / Part 1: No.3 Choral: "Allein Gott in der Höh' sei Ehr" by Felix Mendelssohn, MDR Leipzig Radio Chorus, GewandhausKinderchor, Gewandhausorchester, Kurt Masur to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hail! bright Cecilia!: Hail! bright Cecilia!: II. Hail! Bright Cecilia | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | ||
Matthäus-Passion, BWV 244, Pt. 2: No. 46, Chorale. "Wie wunderbarlich ist doch diese Strafe!" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | A♭ Major | 1 | 4B | 74 BPM | ||
Psalm 42, Op. 42, MWV A15: Schlusschor "Was betrübst du dich" | Felix Mendelssohn, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | F Major | 2 | 7B | 106 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Marie-Claire Alain | B Minor | 0 | 10A | 71 BPM | ||
Deutsche Messe, D. 872: Das Gebet des Herrn: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Sonata No. 10 in F Major, “L’ affetuosa”: I. Allegro affettuoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | C Major | 4 | 8B | 213 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM | ||
Tönet die Freude, belebte Trompeten, TVWV 1:1410: XII. 04 Chor "Amen! Lob und Ehre" | Georg Philipp Telemann, Das Kleine Konzert, Hermann Max, Veronika Winter, Anne Bierwirth, Georg Poplutz, Matthias Vieweg | D♭ Major | 3 | 3B | 101 BPM |