Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet's 'Ariane et Bacchus, Act V: Chœur. Tendres amants, tout succède à vos vœux' had a release date set for March 17, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Le Concert Spirituel, Herve Niquet, Les Chantres du Centre de Musique Baroque de Versailles's "Marais: Ariane et Bacchus" album is number 49 out of 104. On top of that, France appears to be the country where this track was created. Ariane et Bacchus, Act V: Chœur. Tendres amants, tout succède à vos vœux is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ariane et Bacchus, Act V: Chœur. Tendres amants, tout succède à vos vœux by Marin Marais, Le Concert Spirituel, Les Chantres du Centre de Musique Baroque de Versailles, Herve Niquet to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alcione, Acte V Scène 6: "Quoi ! Je revois Ceix" | Marin Marais, Jordi Savall, Lea Desandre, Cyril Auvity, Antonio Abete, Le Concert Des Nations | B♭ Minor | 1 | 3A | 60 BPM | ||
Pièces à deux violes du Premier Livre, suite en ré mineur: I. Prélude à deux violes (1686) | Marin Marais, Jordi Savall, Christophe Coin, Ton Koopman, Hopkinson Smith | D♭ Minor | 2 | 12A | 85 BPM | ||
2e livre de viole: Couplets de Folies | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D♭ Minor | 1 | 12A | 127 BPM | ||
Alcione, Acte III Scène 5: "Que vois-je ? De ses sens elle a perdu l’usage" | Marin Marais, Jordi Savall, Lea Desandre, Marc Mauillon, Le Concert Des Nations | D Major | 1 | 10B | 168 BPM | ||
Concerto Grosso in C Minor, Op. 1 No. 11: I. Largo | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | C Minor | 1 | 5A | 127 BPM | ||
Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble) | Johann Sebastian Bach, Wu Wei, Holland Baroque | D Major | 1 | 10B | 97 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Refrain 3 | Stephen Stubbs | A Minor | 0 | 8A | 88 BPM | ||
Premier Concert: Menuet En Trio (Couperin) | Le Concert Des Nations, Jordi Savall | G Major | 1 | 9B | 131 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM |