"Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: "Mira, deh mira, Orfeo" (Pastori I, II, IV, Messaggiera, Orfeo)" by Claudio Monteverdi, Emmanuelle Haïm was released on 2004. The duration of Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: "Mira, deh mira, Orfeo" (Pastori I, II, IV, Messaggiera, Orfeo) is about 3 minutes long, at 3:12. Based on our data, "Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: "Mira, deh mira, Orfeo" (Pastori I, II, IV, Messaggiera, Orfeo)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Claudio Monteverdi, Emmanuelle Haïm's "Monteverdi: L'Orfeo" album is number 31 out of 80. On top of that, United Kingdom appears to be the country where this track was created. Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: "Mira, deh mira, Orfeo" (Pastori I, II, IV, Messaggiera, Orfeo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: L'Orfeo, favola in musica, SV 318, Act 2: "Mira, deh mira, Orfeo" (Pastori I, II, IV, Messaggiera, Orfeo) by Claudio Monteverdi, Emmanuelle Haïm to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam" | Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen | D Major | 0 | 10B | 77 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Charpentier: Sans frayeur dans ce bois, H. 467 | Marc-Antoine Charpentier, Jean Rondeau, Lea Desandre, Myriam Rignol | F♯ Major | 1 | 2B | 139 BPM | ||
Ballet des fous et des estropiés de la cervelle: I. Entrée de l'Embabouinée | Anonymous, Le Poème Harmonique, Vincent Dumestre | B♭ Major | 0 | 6B | 128 BPM | ||
"Lagrime mie" (Lamento), Op. 7 | Barbara Strozzi, Ensemble Poïésis | E♭ Minor | 0 | 2A | 83 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Quel augellin che canta | Claudio Monteverdi, Emma Kirkby, Joseph Cornwell, Anthony Rooley, Simon Grant, Andrew King, Evelyn Tubb | G Minor | 0 | 6A | 108 BPM |
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