Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki's 'Widerstehe doch der Sünde, BWV 54: I. Aria. Wiederstehe doch der Sunde…' came out on July 31, 1996. Widerstehe doch der Sünde, BWV 54: I. Aria. Wiederstehe doch der Sunde… is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 8 out of 24 in Bach, J.S.: Cantatas, Vol. 3 - Bwv 12, 54, 162, 182 by Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Widerstehe doch der Sünde, BWV 54: I. Aria. Wiederstehe doch der Sunde…'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Widerstehe doch der Sünde, BWV 54: I. Aria. Wiederstehe doch der Sunde… by Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Du Friedefürst, Herr Jesu Christ BWV 116, Coro: Du Friedefürst, Herr Jesu Christ | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Christine Linde, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Pieter Jan Leusink | A♭ Major | 2 | 4B | 89 BPM | ||
Was Gott tut, das ist wohlgetan III BWV 100: Aria - Versus 2: Was Gott tut, das ist wohlgetan, er wird mich nicht betrüben | Johann Sebastian Bach, Ton Koopman, The Amsterdam Baroque Orchestra & Chior, Sandrine Piau, Johannette Zomer, Caroline Stam | A♭ Major | 1 | 4B | 172 BPM | ||
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: I. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | B♭ Major | 2 | 6B | 90 BPM | ||
Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Aria: Es ist vollbracht (Bass) | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 0 | 11B | 73 BPM | ||
Ich lasse dich nicht, du segnest mich denn!, BWV 157: No. 5, Meinen Jesum laß ich nicht (Live) | Johann Sebastian Bach, Alexandra Rawohl, Jan Börner, Georg Poplutz, Stephan MacLeod, Orchester der J. S. Bach-Stiftung, Rudolf Lutz | D♭ Major | 2 | 3B | 68 BPM | ||
Concerto for violin and oboe in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Isabelle Faust, Xenia Löffler, Bernhard Forck, Akademie für Alte Musik Berlin | B Minor | 2 | 10A | 103 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
I. Orchestersuite BWV 1066: Forlane - Live | Rudolf Lutz, Johann Sebastian Bach, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Ulrike Hofbauer, Alex Potter, Makoto Sakurada, Wolf Matthias Friedrich | D Major | 0 | 10B | 102 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
Section: 0.928295373916626
End: 0.9320313930511475