"Certova Stena (The Devil's Wall): Introduction" by Bedřich Smetana, Slovak State Philharmonic Orchestra, Kosice was released on May 13, 1991. The duration of Certova Stena (The Devil's Wall): Introduction is about 3 minutes long, at 3:20. Based on our data, "Certova Stena (The Devil's Wall): Introduction" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 14 in Bedřich Smetana: Orchestral Highlights From Operas by Bedřich Smetana. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Certova Stena (The Devil's Wall): Introduction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Certova Stena (The Devil's Wall): Introduction by Bedřich Smetana, Slovak State Philharmonic Orchestra, Kosice is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony In D Minor: 2. Allegretto | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Symphonic Dances, Op.64: 2. No. 2 in A | Edvard Grieg, Philharmonia Orchestra, Raymond Leppard | A Major | 0 | 11B | 115 BPM | ||
Études-tableaux, Op. 39: No. 5, Appassionato | Sergei Rachmaninoff, Boris Giltburg | E♭ Minor | 1 | 2A | 66 BPM | ||
Die Tanzerin, Polka francaise, Op. 227 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Michael Dittrich | E♭ Major | 2 | 5B | 173 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, Wiener Philharmoniker, John Eliot Gardiner | G Major | 4 | 9B | 80 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: III. Allegro con fuoco | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | F Minor | 0 | 4A | 114 BPM | ||
Bei uns z'Haus, Op. 361 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | C Major | 1 | 8B | 100 BPM | ||
Children's Corner, L. 113 - Orch. Caplet: The Snow is Dancing | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 1 | 6B | 75 BPM | ||
5 Piano Pieces, Op. 3, TrV 105: No. 1. Andante | Richard Strauss, Stefan Veselka | B♭ Major | 2 | 6B | 77 BPM | ||
Symphony No. 3 in D Minor, Part II: II. Tempo di menuetto | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 71 BPM |
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