Carl Maria von Weber, Andrew Marriner, Academy of St. Martin in the Fields, Sir Neville Marriner made "Clarinet Concert No.2 in E flat, Op.74: 3. Alla Polacca" available on January 1, 2008. Clarinet Concert No.2 in E flat, Op.74: 3. Alla Polacca is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 6 out of 10 in Carl Maria von Weber: Klarinettenkonzerte Nr. 1 & 2, Fagottkonzert by Carl Maria von Weber, Andrew Marriner, Klaus Thunemann, Sir Neville Marriner, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Clarinet Concert No.2 in E flat, Op.74: 3. Alla Polacca is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Clarinet Concert No.2 in E flat, Op.74: 3. Alla Polacca by Carl Maria von Weber, Andrew Marriner, Academy of St. Martin in the Fields, Sir Neville Marriner is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
25 Études faciles et progressives, Op. 100: No. 3, La pastorale | Franz Burgmüller, Carl Petersson | G Major | 1 | 9B | 106 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Dolly Suite, Op. 56: III. Le Jardin de Dolly | Gabriel Fauré, Katia Labèque, Marielle Labèque | D♭ Minor | 0 | 12A | 60 BPM |
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