"Pictures at an Exhibition (arr. by Ravel): III. Tuileries - Dispute d'enfants après jeux (Tuileries - Children quarrelling at play)" by Herbert von Karajan, Philharmonia Orchestra was released on April 21, 2009. With Pictures at an Exhibition (arr. by Ravel): III. Tuileries - Dispute d'enfants après jeux (Tuileries - Children quarrelling at play) being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "The Herbert von Karajan Collection". In this album, this song's track order is #34. The popularity of Pictures at an Exhibition (arr. by Ravel): III. Tuileries - Dispute d'enfants après jeux (Tuileries - Children quarrelling at play) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pictures at an Exhibition (arr. by Ravel): III. Tuileries - Dispute d'enfants après jeux (Tuileries - Children quarrelling at play) by Herbert von Karajan, Philharmonia Orchestra having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act Two (Part One) | Renata Tebaldi, Fernando Corena, Giulietta Simionato, Cornell MacNeil, Piero de Palma, Singverein des Gesellschaft der Musikfreunde, Eugenia Ratti, Carlo Bergonzi, Arnold van Mill, Vienna Philharmonic Orchestra, Herbert von Karajan | F Minor | 1 | 4A | 147 BPM | ||
Nutcracker Suite, Op. 71a: Dance of the Sugar Plum Fairy...Waltz of the Flowers | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 131 BPM | ||
Rossini: The Thieving Magpie: Overture | Gioachino Rossini, Herbert von Karajan, Philharmonia Orchestra | E Major | 3 | 12B | 177 BPM | ||
Mephisto Waltz No. 1, S. 514 | Franz Liszt, Khatia Buniatishvili | E Major | 2 | 12B | 132 BPM | ||
Concerto no 3 for piano and orchestra: Allegretto | Béla Bartók, Herbert von Karajan, Orchestra Sinfonica della RAI de Torino, Geza Anda | A Major | 3 | 11B | 85 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
Music To Goethe's Tragedy "Egmont" Op.84: Ouverture - Sostenuto, ma non troppo - Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 135 BPM | ||
Ein deutsches Requiem, Op.45: 4. Chor: "Wie lieblich sind deine Wohnungen, Herr Zebaoth!" | Johannes Brahms, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | E♭ Major | 1 | 5B | 130 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM |
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