"Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico)" by Agustin Perez Soriano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid had its release date on February 5, 2007. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's "Gitano" album is number 10 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico) by Agustin Perez Soriano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor, Act I: Cruda, funesta smania | Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | G Major | 3 | 9B | 72 BPM | ||
Las Golondrinas, Preludio y escena 1ª, I parte: "Aquí tiene usted la peluca" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Mercedes Plantada, Augusto Gonzalo | E♭ Major | 2 | 5B | 129 BPM | ||
Erromerian: Pasacalle de Romería a 3 Voces Mixtas y Tamboril - Remastered | Coro De Camara Del Orfeon Donostiarra, Juan Goróstidi, Banda de Txistularis de San Sebastián, I. Ansorena | E♭ Major | 2 | 5B | 83 BPM | ||
Polonesa | Montserrat Caballé | A Major | 3 | 11B | 87 BPM | ||
La Verbena de la Paloma, Act I: Gigolettes et Don Hilarón (Hilarón, Casta, Susana, Antonia) | Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Ana M. Amengual, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | F Major | 2 | 7B | 102 BPM | ||
Ослик - Чучарелло | Нино Оливиеро, Muslim Magomayev, Государственный симфонический оркестр кинематографии СССР, Ниязи Тагизаде-Гаджибеко | C Major | 4 | 8B | 93 BPM | ||
Galathée, Act I: Que dis-tu ? (Galathée) | Victor Massé, Jodie Devos, Brussels Philharmonic, Pierre Bleuse | D Major | 2 | 10B | 99 BPM | ||
Cherubini: Medea, Act 1: "Nemici senza cor" (Medea, Giasone) | Luigi Cherubini, Maria Callas, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 81 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Adriana Lecouvreur / Act 1: Michonnet, su! Michonnet, giù! | Francesco Cilea, Giulio Fioravanti, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Franco Ricciardi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | C Minor | 2 | 5A | 121 BPM |