Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico)
Agustin Perez Soriano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid
Gitano
4:02 February 5, 2007
BPM
100
Key
A Major
Camelot
11B

Embed

Share Link

Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico) - Agustin Perez Soriano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid Information

Acousticness
98%
Danceability
36%
Energy
12%
Instrumentalness
0%
Liveness
6%
Loudness
66%
Speechiness
5%
Valence
15%
Popularity
Loudness
-20.139 dB

Summary

"Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico)" by Agustin Perez Soriano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid had its release date on February 5, 2007. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid's "Gitano" album is number 10 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico) BPM

We consider the tempo marking of Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico) by Agustin Perez Soriano, Rolando Villazón, Plácido Domingo, Orquesta de la Comunidad de Madrid to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Pérez Soriano: El guitarrico: No. 1, Serenata-jota, "Suena guitarrico mío" (Perico) Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lucia di Lammermoor, Act I: Cruda, funesta smania by Gaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy YurkevychLucia di Lammermoor, Act I: Cruda, funesta smaniaGaetano Donizetti, Stefano Antonucci, Didier Pieri, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy YurkevychG Major39B72 BPM
Las Golondrinas, Preludio y escena 1ª, I parte: Las Golondrinas, Preludio y escena 1ª, I parte: "Aquí tiene usted la peluca"Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Mercedes Plantada, Augusto GonzaloE♭ Major25B129 BPM
Erromerian: Pasacalle de Romería a 3 Voces Mixtas y Tamboril - Remastered by Coro De Camara Del Orfeon Donostiarra, Juan Goróstidi, Banda de Txistularis de San Sebastián, I. AnsorenaErromerian: Pasacalle de Romería a 3 Voces Mixtas y Tamboril - RemasteredCoro De Camara Del Orfeon Donostiarra, Juan Goróstidi, Banda de Txistularis de San Sebastián, I. AnsorenaE♭ Major25B83 BPM
Polonesa by Montserrat CaballéPolonesaMontserrat CaballéA Major311B87 BPM
La Verbena de la Paloma, Act I: Gigolettes et Don Hilarón (Hilarón, Casta, Susana, Antonia) by Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Ana M. Amengual, Antoni Ros Marbá, Orquesta Sinfónica de MadridLa Verbena de la Paloma, Act I: Gigolettes et Don Hilarón (Hilarón, Casta, Susana, Antonia)Tomás Bretón, Rafael Castejon, Silvia Tro, Maria Bayo, Ana M. Amengual, Antoni Ros Marbá, Orquesta Sinfónica de MadridF Major27B102 BPM
Ослик - Чучарелло by Нино Оливиеро, Muslim Magomayev, Государственный симфонический оркестр кинематографии СССР, Ниязи Тагизаде-ГаджибекоОслик - ЧучареллоНино Оливиеро, Muslim Magomayev, Государственный симфонический оркестр кинематографии СССР, Ниязи Тагизаде-ГаджибекоC Major48B93 BPM
Galathée, Act I: Que dis-tu ? (Galathée) by Victor Massé, Jodie Devos, Brussels Philharmonic, Pierre BleuseGalathée, Act I: Que dis-tu ? (Galathée)Victor Massé, Jodie Devos, Brussels Philharmonic, Pierre BleuseD Major210B99 BPM
Cherubini: Medea, Act 1: Cherubini: Medea, Act 1: "Nemici senza cor" (Medea, Giasone)Luigi Cherubini, Maria Callas, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinC Major28B81 BPM
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) by Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra)Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph EschenbachB♭ Major06B82 BPM
Adriana Lecouvreur / Act 1: Michonnet, su! Michonnet, giù! by Francesco Cilea, Giulio Fioravanti, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Franco Ricciardi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco CapuanaAdriana Lecouvreur / Act 1: Michonnet, su! Michonnet, giù!Francesco Cilea, Giulio Fioravanti, Dora Carral, Fernanda Cadoni, Giovanni Foiani, Angelo Mercuriali, Franco Ricciardi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco CapuanaC Minor25A121 BPM
ISRC
GBAYC0601986
Label
L-M Records/RCA Records