"Kamui-Chikap Symphony, Op. 40: II. Water" by Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra had its release date on December 21, 2022. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra's "Kamui-Chikap Symphony Op. 40 / Chikap Op. 14a" album is number 2 out of 6. On top of that, Japan appears to be the country where this track was created. Kamui-Chikap Symphony, Op. 40: II. Water is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kamui-Chikap Symphony, Op. 40: II. Water by Takashi Yoshimatsu, Keitaro Harada, Tokyo Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakeside | Balanescu Quartet | A Minor | 1 | 8A | 127 BPM | ||
The Other Dimension (Original Motion Picture Soundtrack) | Iron Valkyrie | A Minor | 1 | 8A | 112 BPM | ||
ラ・メール・ロワ 妖精の園 | Isao Tomita | C Major | 2 | 8B | 89 BPM | ||
Astrognosia: Interludium I | Magne Amdahl, Ingar Bergby, Kork, The Norwegian Radio Orchestra | A♭ Major | 0 | 4B | 77 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Dreams and Reconciliations (from 'The King') | Scott Buckley | A♭ Major | 1 | 4B | 76 BPM | ||
Kauyumari | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel | D Minor | 1 | 7A | 74 BPM | ||
Stoop to Dunk | Laz Ukpo | F♯ Major | 0 | 2B | 168 BPM | ||
Copland: Suite from Appalachian Spring: VI. Meno mosso (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Clarinet Serenade: Gypsy Lament | Mitar Popescu | C Major | 4 | 8B | 92 BPM |