- BPM
- 126
- Key
- F Major
- Camelot
- 7B
Autumn Legend - William Alwyn, Richard Hickox, City of London Sinfonia, Nicholas Daniel Information
- Acousticness
- 92%
- Danceability
- 40%
- Energy
- 8%
- Instrumentalness
- 84%
- Liveness
- 9%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 40%
- Popularity
- 2%
- Loudness
- -24.465 dB
Summary
William Alwyn, Richard Hickox, City of London Sinfonia, Nicholas Daniel made "Autumn Legend" available on June 1, 1992. Autumn Legend appears to be safe for all ages as it is not explicit. The song is number 1 out of 7 in Alwyn: Orchestral Works by William Alwyn, Richard Hickox, City of London Sinfonia, Nicholas Daniel, Rachel Masters, Stephen Tees. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Autumn Legend's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Autumn Legend BPM
The tempo marking of Autumn Legend by William Alwyn, Richard Hickox, City of London Sinfonia, Nicholas Daniel is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Autumn Legend Key
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: II. Romanze (Andante non troppo con grazia) | Clara Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | A♭ Major | 0 | 4B | 100 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | |
 | Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM | |
 | 6 Studies in English Folksong (Version for Cello & Piano): No. 6, Allegro vivace "As I Walked Over London Bridge" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 1 | 9A | 120 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Fantasy Waltzes: No. 3. Moderato | William Alwyn, Ashley Wass | E Major | 1 | 12B | 133 BPM | |
 | L'Ondine, Op. 101 | Cécile Chaminade, Anette Muller-Roos | E♭ Major | 1 | 5B | 80 BPM | |
 | Lullaby on an Ancient Irish Tune | Rebecca Clarke, Philip Dukes, Sophia Rahman | D♭ Major | 0 | 3B | 68 BPM | |
 | Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM |
- ISRC
- GBLWD9208301
- Label
- L-M Records/RCA Records
Section: 0.6217973232269287
End: 0.6255767345428467