Second Part: The Sacrifice: Evocation of the Ancestors / Ritual Action of the Ancestors
Igor Stravinsky, The Bad Plus
The Rite of Spring
5:32 March 21, 2014
BPM
127
Key
D Major
Camelot
10B

Embed

Share Link

Second Part: The Sacrifice: Evocation of the Ancestors / Ritual Action of the Ancestors - Igor Stravinsky, The Bad Plus Information

Acousticness
53%
Danceability
60%
Energy
42%
Instrumentalness
84%
Liveness
9%
Loudness
82%
Speechiness
6%
Valence
35%
Popularity
Loudness
-10.593 dB

Summary

Igor Stravinsky, The Bad Plus's 'Second Part: The Sacrifice: Evocation of the Ancestors / Ritual Action of the Ancestors' came out on March 21, 2014. Second Part: The Sacrifice: Evocation of the Ancestors / Ritual Action of the Ancestors is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 11 in the song's album "The Rite of Spring". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Second Part: The Sacrifice: Evocation of the Ancestors / Ritual Action of the Ancestors's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.

Second Part: The Sacrifice: Evocation of the Ancestors / Ritual Action of the Ancestors BPM

With Second Part: The Sacrifice: Evocation of the Ancestors / Ritual Action of the Ancestors by Igor Stravinsky, The Bad Plus having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Second Part: The Sacrifice: Evocation of the Ancestors / Ritual Action of the Ancestors Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Turangalîla Symphonie: 2. Chant d'amour 1 by Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun ChungTurangalîla Symphonie: 2. Chant d'amour 1Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra Bastille, Myung-Whun ChungD♭ Major23B153 BPM
Symphony No. 3 in F Major, Op. 90: 4. Allegro by Johannes Brahms, Berliner Philharmoniker, Claudio AbbadoSymphony No. 3 in F Major, Op. 90: 4. AllegroJohannes Brahms, Berliner Philharmoniker, Claudio AbbadoC Major18B79 BPM
Requiem Canticles: V. Interlude by Igor Stravinsky, Vladimir Jurowski, London Philharmonic OrchestraRequiem Canticles: V. InterludeIgor Stravinsky, Vladimir Jurowski, London Philharmonic OrchestraG Minor06A140 BPM
Symphony No. 8 in G Minor, Op. 88, B. 163: II. Adagio by Antonín Dvořák, London Symphony Orchestra, Sir Colin DavisSymphony No. 8 in G Minor, Op. 88, B. 163: II. AdagioAntonín Dvořák, London Symphony Orchestra, Sir Colin DavisC Major08B54 BPM
Apollon musagète: I. Premier Tableau, Naissance d'Apollon by Igor Stravinsky, London Symphony Orchestra, John Eliot GardinerApollon musagète: I. Premier Tableau, Naissance d'ApollonIgor Stravinsky, London Symphony Orchestra, John Eliot GardinerG Major19B108 BPM
Stravinsky: The Rite of Spring, Pt. 1 Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Spring Rounds - Ritual of the Rival Tribes - Procession of the SageIgor Stravinsky, City Of Birmingham Symphony Orchestra, Sir Simon RattleD Minor47A115 BPM
Aleko: Intermezzo by Sergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelAleko: IntermezzoSergei Rachmaninoff, Berliner Philharmoniker, Lorin MaazelB♭ Major06B90 BPM
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo by Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar GuggeisSonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppoBéla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar GuggeisA Major311B140 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto in D Minor, Op. 47: II. Adagio di moltoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinB♭ Major16B173 BPM
Symphonie fantastique, Op. 14, H 48: II. Un Bal by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H 48: II. Un BalHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major111B113 BPM
ISRC
USQX91302747
Label
L-M Records/RCA Records

Section: 0.8537845611572266

End: 0.8589909076690674