- BPM
- 128
- Key
- A♭ Major
- Camelot
- 4B
Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 4 - Claude Debussy, Frédérique Cambreling, Philippe Bernold, Bruno Pasquier Information
- Acousticness
- 0%
- Danceability
- 80%
- Energy
- 77%
- Instrumentalness
- 15%
- Liveness
- 7%
- Loudness
- 87%
- Speechiness
- 4%
- Valence
- 70%
- Popularity
- 2%
- Loudness
- -7.614 dB
Summary
Claude Debussy, Frédérique Cambreling, Philippe Bernold, Bruno Pasquier made "Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 4" available on June 7, 2022. With Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 4 being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 54 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 4's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 4 BPM
The tempo marking of Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 4 by Claude Debussy, Frédérique Cambreling, Philippe Bernold, Bruno Pasquier is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Sonata for Flute, Viola and Harp, L. 137: 1. Pastorale - Pt. 4 Key
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gnossienne No. 1 | Alena Cherny | F Minor | 0 | 4A | 72 BPM | |
 | Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | |
 | Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Daniel Barenboim | E♭ Major | 0 | 5B | 79 BPM | |
 | Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | |
 | Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | |
 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | |
 | ...pour appeler la joie (Charme VI) | Federico Mompou, Arcadi Volodos | E Major | 0 | 12B | 0 BPM | |
 | Rêverie, L. 68: Rêverie | Claude Debussy, Jean-Yves Thibaudet | G Minor | 0 | 6A | 69 BPM | |
 | Carmen (arr. N. Mercz): Intermezzo from the Opera "Carmen" | Nora Mercz, Georges Bizet, Janos Balint | E♭ Major | 0 | 5B | 72 BPM | |
 | Ma mère l'Oye, M. 60: I. Pavane de la belle au bois dormant - Lent | Maurice Ravel, Louis Lortie, Hélène Mercier | C Major | 0 | 8B | 116 BPM |
- ISRC
- FRUM72200888
- Label
- L-M Records/RCA Records
Section: 0.5888197422027588
End: 0.5927937030792236