"Quello che farò (sarà per te)" by Katherine Jenkins, Philharmonia Orchestra, Nicholas Dodd was released on January 1, 2006. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Katherine Jenkins's "Katherine Jenkins / From The Heart" album is number 2 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Quello che farò (sarà per te)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quello che farò (sarà per te) by Katherine Jenkins, Philharmonia Orchestra, Nicholas Dodd to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Serse, HWV 40, Act 1, Scene 1: Arioso. "Ombra mai fù" (Serse) | George Frideric Handel, Jennifer Larmore, Jesús López-Cobos, Orchestre de Chambre de Lausanne | A♭ Major | 0 | 4B | 181 BPM | ||
Fear of Falling | Richard Marx, Katherine Jenkins | F♯ Major | 3 | 2B | 131 BPM | ||
Csárdás | Vittorio Monti, Philippe Graffin, Claire Désert | D Minor | 2 | 7A | 181 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Gymnopedie No. 1/Absence | Erik Satie, Katherine Jenkins, The Arcadian Ensemble, James Morgan | E♭ Major | 1 | 5B | 99 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Ladies In Lavender - Main Theme - (Ladies in Lavender) | Nigel Hess, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 2 | 10B | 87 BPM | ||
Nabucco / Act 3: Va, pensiero | Russell Watson, Neil Jason, Bashiri Johnson, The Metro Voices, Royal Philharmonic Orchestra, Nicholas Dodd | A Major | 4 | 11B | 89 BPM | ||
Angel - Radio Edit | Sarah McLachlan, Katherine Jenkins | E♭ Major | 4 | 5B | 118 BPM | ||
Octopussy (Arr. C. Egan) | Philharmonia Orchestra, Carl Davis | A♭ Major | 2 | 4B | 79 BPM |
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