Johann Samuel Schroeter, Luigi Gerosa made "Piano Sonata No. 1 in C Major, Op. 1, No. 1: I. Allegro e moderato" available on January 1, 2009. With this song being about 5 minutes long, at 5:07, "Piano Sonata No. 1 in C Major, Op. 1, No. 1: I. Allegro e moderato" by Johann Samuel Schroeter, Luigi Gerosa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Schroeter, J.S.: Piano Sonatas, Op. 1 (Complete)". In this album, this song's track order is #1. Based on our statistics, Piano Sonata No. 1 in C Major, Op. 1, No. 1: I. Allegro e moderato's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Piano Sonata No. 1 in C Major, Op. 1, No. 1: I. Allegro e moderato by Johann Samuel Schroeter, Luigi Gerosa having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Triple Concerto in C Major, Op. 56: II. Largo | Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker | A♭ Major | 1 | 4B | 115 BPM | ||
Nocturne No.17 In B, Op.62 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 73 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Keyboard Concerto No. 5 in F Minor, BWV 1056: I. [Allegro] | Johann Sebastian Bach, Simone Dinnerstein, Staatskapelle Berlin | B♭ Minor | 3 | 3A | 143 BPM | ||
Grieg: Lyric Suite, Op. 54: II. Norwegian March | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | G Major | 1 | 9B | 134 BPM | ||
Water Music, HWV 348 - 350: V. Air | George Frideric Handel, Jeanne Lamon, Tafelmusik Baroque Orchestra | E Major | 1 | 12B | 106 BPM | ||
6 Morceaux, Op. 19: No. 4. Nocturne (version for cello and strings) | Pyotr Ilyich Tchaikovsky, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | D Minor | 1 | 7A | 80 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM | ||
2 Mélodies, Op. 3: 1. Moderato assai | Anton Rubinstein, Shura Cherkassky | C Minor | 1 | 5A | 98 BPM | ||
Polonaise in B-Flat Major, D. 580 | Franz Schubert, Ariadne Daskalakis, Kölner Akademie, Michael Alexander Willens | B♭ Major | 1 | 6B | 96 BPM |
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