Sigismund Neukomm, Bavarian Radio Chorus, Alte Akademie für Alte Musik Berlin, Howard Arman made "Libera me, Domine: Requiem aeternam (Live)" available on October 2, 2020. With Libera me, Domine: Requiem aeternam (Live) being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Howard Arman, Alte Akademie für Alte Musik Berlin, Bavarian Radio Chorus, Peter Dijkstra's "Mozart: Requiem in D Minor, K. 626 mit Werkeinführung (Live)" album is number 38 out of 55. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Libera me, Domine: Requiem aeternam (Live) is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Libera me, Domine: Requiem aeternam (Live) by Sigismund Neukomm, Bavarian Radio Chorus, Alte Akademie für Alte Musik Berlin, Howard Arman to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spängler-Menuett X | Leopold Mozart, Bankhaus Spängler | F Major | 1 | 7B | 131 BPM | ||
Elias, Op. 70: Teil I: Wohl dem, der den Herrn fürchtet | Felix Mendelssohn, Thomas Hengelbrock | F Major | 1 | 7B | 75 BPM | ||
Symphony No. 6 in C Major, D. 589: I. Adagio – Allegro - Remastered 2024 | Franz Schubert, London Symphony Orchestra, Josef Krips | C Major | 0 | 8B | 125 BPM | ||
Messe de Requiem: Libera me | Sigismund Neukomm, Kusatsu Academy Chorus, Festival Brass Ensemble, Jörg Ewald Dähler, Fumiaki Kuriyama, Claudio Brizi, Edith Mathis | C Minor | 1 | 5A | 89 BPM | ||
Overture in G Minor, BWV 822: III. Gavotte en Rondeau (arr. for violin and piano) (piano predominant mix) | Anonymous, Johann Sebastian Bach, Terence Dennis, Takako Nishizaki | G Minor | 1 | 6A | 126 BPM | ||
Divertissement, Vorstellungen 1803: No. 6, Tempo di Minuetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Galliard the Teares of the Muses | The Royal Wind Music | A♭ Minor | 0 | 1A | 73 BPM | ||
Das Waldmädchen: No. 20, Allegro vivace | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
Missa Sanctae Ursulae, MH 546: Gloria (Soprano, Contralto, Tenor, Bass, Chorus) | Michael Haydn, Juliane Banse, Mechthild Bach, Gabriele Binder, Karl-Heinz Lampe, Joachim Gebhard, Munich Motet Choir, Munich Residence Orchestra, Hans Rudolf Zöbeley | C Major | 1 | 8B | 138 BPM | ||
Mass No. 2 in G Major, D. 167: Credo: Credo in unum Deum | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM |
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