"Contentment at Dusk" by Helen Habershon, John Lenehan was released on March 11, 2022. The duration of Contentment at Dusk is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Contentment at Dusk's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 19 in Found in Dreams by Helen Habershon, John Lenehan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Contentment at Dusk is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Contentment at Dusk by Helen Habershon, John Lenehan is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sunday on Fifth Avenue - Performance | Cecilia McDowall, Ofer Falk, Irina Lyakhovskaya | G Major | 1 | 9B | 85 BPM | ||
French Quadrilogy: No. 1, The Girl on a Flaxen Horse | Aivars Kalējs, Trio NYX | D♭ Major | 2 | 3B | 151 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
A Foggy Day | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Andante Ascension | Markolyno | E♭ Major | 0 | 5B | 80 BPM | ||
Serenade for String Orchestra, Op. 46: Cavatina. Lento cantabile | Hans Gál, Nina Karmon, Oliver Triendl, Sinfonietta Riga, Normunds Šnē | D Major | 1 | 10B | 86 BPM | ||
Samson et Dalila Op. 47, Act II, Scene III: “Mon coeur s’ouvre à ta voix” | Philippe Quint, Lily Maisky | G Major | 1 | 9B | 110 BPM | ||
Sonata in A Major, Op. 14: IV. Vivace | Leopoldo Miguéz, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
子守歌(ブラームス/朝川 朋之編) | Johannes Brahms, Yoko Hasegawa | G Minor | 2 | 6A | 107 BPM | ||
Three Wedding Dances for Solo Clarinet: II. Andante | Anton Weinberg, Luigi Magistrelli | D Minor | 0 | 7A | 83 BPM |
Section: 0.6999335289001465
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