"子守歌(ブラームス/朝川 朋之編)" by Johannes Brahms, Yoko Hasegawa was released on July 21, 2010. The duration of 子守歌(ブラームス/朝川 朋之編) is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. 子守歌(ブラームス/朝川 朋之編)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 愛の小径~チェロ名曲集, so we believe that "子守歌(ブラームス/朝川 朋之編)" is a single. In terms of popularity, 子守歌(ブラームス/朝川 朋之編) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 子守歌(ブラームス/朝川 朋之編) by Johannes Brahms, Yoko Hasegawa is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonate pour flûte et piano, Op. 64: I. Andantino con moto | Mel Bonis, Mathilde Calderini, Aurèle Marthan | F♯ Major | 0 | 2B | 66 BPM | ||
L’amour c’est comme un jour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
5 Lieder, Op. 49: No. 4. Wiegenlied (Lullaby) (arr. for orchestra) | Anonymous, Johannes Brahms, Moscow Chamber Orchestra, Constantine Orbelian | C Major | 1 | 8B | 107 BPM | ||
7 Fantasies, Op. 116: No. 6, Intermezzo in E Major | Johannes Brahms, Simon Bächinger | A Major | 3 | 11B | 65 BPM | ||
7 Canciones populares Españolas (Excerpts Arr. for Oboe & Harp): No. 5, Nana | Manuel de Falla, Alex Klein, Rita Costanzi | A Minor | 1 | 8A | 111 BPM | ||
In Nomine – all’ongherese | György Kurtág, Ezgi Yürümez | E Major | 2 | 12B | 75 BPM | ||
Variations In D Minor | Michael Raven | D Minor | 1 | 7A | 178 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
色褪せた饗宴 | HOYO-MiX | C Minor | 8 | 5A | 140 BPM | ||
Sunday on Fifth Avenue - Performance | Cecilia McDowall, Ofer Falk, Irina Lyakhovskaya | G Major | 1 | 9B | 85 BPM |
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