"Sonate pour flûte et piano, Op. 64: I. Andantino con moto" by Mel Bonis, Mathilde Calderini, Aurèle Marthan was released on May 17, 2024. With this song being about 5 minutes long, at 5:00, "Sonate pour flûte et piano, Op. 64: I. Andantino con moto" by Mel Bonis, Mathilde Calderini, Aurèle Marthan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Bonis: Sonate pour flûte et piano, Op. 64: I. Andantino con moto and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Sonate pour flûte et piano, Op. 64: I. Andantino con moto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonate pour flûte et piano, Op. 64: I. Andantino con moto by Mel Bonis, Mathilde Calderini, Aurèle Marthan is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder Ohne Worte, Fünftes Heft, Op. 62 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
なき王女のためのパヴァーヌ | Maurice Ravel, Bruno Rigutto | G Major | 0 | 9B | 69 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
Clarinet Sonata, FP 184: II. Romanza. Très calme | Francis Poulenc, Nash Ensemble | A Major | 1 | 11B | 82 BPM | ||
アンダンテ (ピアノ・ソナタ K.381より) | W.A. モーツァルト, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | G Major | 1 | 9B | 123 BPM | ||
Pictures at an Exhibition: VIIIb. Con mortuis in lingua mortua | Modest Mussorgsky, Robert Neumann | F♯ Major | 0 | 2B | 137 BPM | ||
Nocturne No. 8 in A Major, H. 46 | John Field, Michael Collins, Michael McHale | A Major | 0 | 11B | 74 BPM | ||
Préludes, Livre 1: No. 8, La fille aux cheveux de lin (Arr. for Flute and Piano by Yoshifumi Noro) | Claude Debussy, Mathilde Calderini, Aurèle Marthan | G Major | 1 | 9B | 140 BPM | ||
泥酔? | 大島ミチル | A Major | 4 | 11B | 77 BPM | ||
Mel Bonis (1858-1937) - Sonate: Finale-Moderato | Kyoko Nojima, Mel Bonis, Michel Moragues | F♯ Minor | 1 | 11A | 69 BPM |
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