Antonio Vivaldi, Michel Corboz, Ensemble Vocal de Lausanne, Jennifer Smith, Wally Staempfli, Orchestre de Chambre de Lausanne's 'Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae' came out on 1975. The duration of Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae is about 3 minutes long, at 3:02. Based on our data, "Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi : Sacred music by Erik Satie, Barbara Hannigan, Reinbert de Leeuw, Antonio Vivaldi, Michel Corboz. The song's track number on the album is #31 out of 103 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae by Antonio Vivaldi, Michel Corboz, Ensemble Vocal de Lausanne, Jennifer Smith, Wally Staempfli, Orchestre de Chambre de Lausanne has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
The Four Seasons - Winter in F Minor, RV. 297: III. Allegro – Lento – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | F Minor | 2 | 4A | 95 BPM | ||
Violin Concerto No. 3 in F Major, RV 293 "L'autunno": I. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | F Major | 2 | 7B | 122 BPM | ||
Trio Sonata in E Minor: I. Grave | Johann Rosenmüller, Anna Holbling, Quido Holbling, Jozef Zsapka | A Major | 2 | 11B | 98 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Oboe Concerto in D Minor, Op. 8, No. 9, RV 454: I. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | D Minor | 1 | 7A | 129 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM | ||
Le grand cahier: X. L'incendie | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B Major | 3 | 1B | 122 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto | Ludwig van Beethoven, Kodály Quartet | B♭ Minor | 1 | 3A | 162 BPM |
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