"Sisask : Starry Sky Cycle Op.52 : 11. Taurus [Sharpness]" by Urmas Sisask, Lauri Väinmaa was released on August 16, 1993. With Sisask : Starry Sky Cycle Op.52 : 11. Taurus [Sharpness] being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Sisask : Starry Sky Cycle". In this album, this song's track order is #11. Sisask : Starry Sky Cycle Op.52 : 11. Taurus [Sharpness] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sisask : Starry Sky Cycle Op.52 : 11. Taurus [Sharpness] by Urmas Sisask, Lauri Väinmaa having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Protecting Veil: The Dormition of the Mother of God | John Tavener, Maria Kliegel, Ulster Orchestra, Takuo Yuasa | G Major | 0 | 9B | 84 BPM | ||
Sarabande Variations (from Suite in D Minor, HWV 437): Variation VIII | George Frideric Handel, Martin Stadtfeld | D♭ Major | 0 | 3B | 74 BPM | ||
Tre Laude Dolce: I | Gavin Bryars, Matthew Barley | C Major | 0 | 8B | 171 BPM | ||
Aeternam | Bernat Vivancos, Latvian Radio Choir, Sigvards Kļava | B Minor | 1 | 10A | 65 BPM | ||
Song For Athene | John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | B♭ Major | 0 | 6B | 97 BPM | ||
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Hosokawa: 2 Japanese Folksongs: II. Itsuki no komori uta | Toshio Hosokawa, Emmanuel Pahud, Christian Rivet | G Minor | 0 | 6A | 108 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
Janáček: On an Overgrown Path, Book I: No. 7, Good Night! | Leoš Janáček, Bertrand Chamayou | E Minor | 0 | 9A | 73 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM |
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