Orchestra da Camera Dell'Arte, Luigi Zanetti made "Concerto Grosso Nr. 2, B-Dur, op. 3: I. Vivace" available on September 28, 1998. The duration of Concerto Grosso Nr. 2, B-Dur, op. 3: I. Vivace is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Concerto Grosso Nr. 2, B-Dur, op. 3: I. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orchestra da Camera Dell'Arte, Luigi Zanetti's "Georg Friedrich Händel: Concerto Grosso Nr. 26, No. 2, No. 12 & Halleluja From " The Messiah "" album is number 7 out of 17. In terms of popularity, Concerto Grosso Nr. 2, B-Dur, op. 3: I. Vivace is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto Grosso Nr. 2, B-Dur, op. 3: I. Vivace by Orchestra da Camera Dell'Arte, Luigi Zanetti to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Bourree | I Musici Di San Marco, Alberto Lizzio | F Major | 3 | 7B | 117 BPM | ||
Bach Orchestral Suite No.2 in B Minor, BWV 1076: IV. Bourée | London Conchord Ensemble, Florian Uhlig | B Minor | 3 | 10A | 129 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | ||
Träumerei | Robert Schumann, James Galway, Charles Gerhardt | F Major | 1 | 7B | 83 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Concerto For Oboe In D Minor - Presto | Tafelmusik Baroque Orchestra | D♭ Minor | 3 | 12A | 104 BPM | ||
Symphony No. 21 in A Major, Hob. I:21: I. Adagio | Joseph Haydn, Dennis Russell Davies | B♭ Major | 3 | 6B | 139 BPM |
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