Giovanni Battista Pergolesi, Orchestra Mozart, Claudio Abbado, Swiss Radio Choir, Diego Fasolis's 'Missa S. Emidio, P. 47: IV. Gloria in excelsis Deo' came out on January 1, 2010. The duration of Missa S. Emidio, P. 47: IV. Gloria in excelsis Deo is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Missa S. Emidio, P. 47: IV. Gloria in excelsis Deo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 70 in the song's album "Pergolesi Collection". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. In terms of popularity, Missa S. Emidio, P. 47: IV. Gloria in excelsis Deo is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Missa S. Emidio, P. 47: IV. Gloria in excelsis Deo by Giovanni Battista Pergolesi, Orchestra Mozart, Claudio Abbado, Swiss Radio Choir, Diego Fasolis having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Magnificat in D Major, BWV 243: Et misericordia eius | Johann Sebastian Bach, Gérard Lesne, Howard Crook, Philippe Herreweghe, La Chapelle Royale | E♭ Minor | 0 | 2A | 107 BPM | ||
Concertino for Strings No. 3 in A Major: III. Andante | Giovanni Battista Pergolesi, Felix Ayo, I Musici | B Minor | 1 | 10A | 66 BPM | ||
Se l'aura spira tutta vezzosa, F7.15 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón, Mariana Flores | G Minor | 1 | 6A | 176 BPM | ||
Der Herr ist mit mir, BuxWV 15 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 72 BPM | ||
Stabat Mater, P. 77: VIII. Fac, ut ardeat cor meum | Giovanni Battista Pergolesi, Monika Brockmann, Sandra van Gemert, Cologne New Philharmonic Orchestra, Volker Hartung | C Minor | 2 | 5A | 92 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM |
Section: 0.5674901008605957
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