George Frideric Handel, Alison Balsom, The English Concert, Trevor Pinnock made "Handel / Arr. Pinnock: Amadigi di Gaula, HWV 11, Act III: Aria. "Sento la gioia, ch'in sen mi brilla"" available on October 1, 2012. With this song being about 5 minutes long, at 4:44, "Handel / Arr. Pinnock: Amadigi di Gaula, HWV 11, Act III: Aria. "Sento la gioia, ch'in sen mi brilla"" by George Frideric Handel, Alison Balsom, The English Concert, Trevor Pinnock is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alison Balsom's "Kings & Queens" album is number 1 out of 26. Based on our statistics, Handel / Arr. Pinnock: Amadigi di Gaula, HWV 11, Act III: Aria. "Sento la gioia, ch'in sen mi brilla"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Handel / Arr. Pinnock: Amadigi di Gaula, HWV 11, Act III: Aria. "Sento la gioia, ch'in sen mi brilla" by George Frideric Handel, Alison Balsom, The English Concert, Trevor Pinnock to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo, HWV 7b: Act I Scene 7: Aria: Cara sposa, amante cara, dove sei? (Rinaldo) | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | E♭ Minor | 1 | 2A | 92 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): I. Introduzione | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | B Major | 1 | 1B | 124 BPM | ||
Overture-Suite in D Major, TWV 55:D1: II. Air 1: Tempo giusto | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 98 BPM | ||
Monteverdi: L'Orfeo, SV 318: Toccata | Alessandro Striggio, Claudio Monteverdi, Christina Pluhar | D Major | 2 | 10B | 146 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 2 | 1B | 119 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Major | 4 | 11B | 133 BPM | ||
Purcell: King Arthur, Z. 628, Act 2 Scene 2: No. 15, "Shepherd, shepherd, leave decoying" (Arr. for Trumpet) | Henry Purcell, Alison Balsom, Trevor Pinnock | A♭ Minor | 1 | 1A | 101 BPM | ||
Xerxes Ballet: Air pour les matelots jouants des trompettes marines | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 139 BPM | ||
Quatrième Concert: Forlane. Rondeau - Gayement (Couperin) | Le Concert Des Nations, Jordi Savall | D Major | 2 | 10B | 100 BPM | ||
Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | A♭ Major | 2 | 4B | 80 BPM |
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