Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2. - Sofia Gubaidulina, Eduard Brunner, Klaus Thunemann, Radovan Vlatkovic Information

Acousticness: 99%
Danceability: 19%
Energy: 2%
Instrumentalness: 12%
Liveness: 7%
Loudness: 60%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -23.972 dB

Summary

"Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2." by Sofia Gubaidulina, Eduard Brunner, Klaus Thunemann, Radovan Vlatkovic was released on January 1, 2002. The duration of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2. is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2.'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sofia Gubaidulina, Gidon Kremer, Boston Symphony Orchestra, Charles Dutoit's "Gubaidulina: Offertorium" album is number 3 out of 8. Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2. is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2. BPM

We consider the tempo marking of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2. by Sofia Gubaidulina, Eduard Brunner, Klaus Thunemann, Radovan Vlatkovic to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Hommage á T.S. Eliot (1987) - For Octet And Soprano: 2. Key

This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Serenade: IV. Agathon. Adagio	Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève	G Major	2	9B	83 BPM
Presto in C Minor, H.230 Wq.114/3	Carl Philipp Emanuel Bach, Patricia Kopatchinskaja, Sol Gabetta	D♭ Major	0	3B	146 BPM
The Young Person's Guide to the Orchestra, Op. 34: II. Variations A-D, Woodwinds. Presto - Lento - Moderato - Allegro alla marcia	Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra	C Major	0	8B	66 BPM
Sonatina	Morton Feldman, Marilyn Nonken, Stephen Marotto	B♭ Minor	0	3A	164 BPM
L'Amour de loin, Premier acte: Traversée	Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin	B♭ Minor	3	3A	48 BPM
7 Worte (7 Words): Vater, vergib ihnen, denn sie wissen nicht, was sie tun (Father, forgive them....)	Sofia Gubaidulina, Maria Kliegel, Elsbeth Moser, Kathrin Rabus, Camerata Transsylvanica, György Selmeczi	F Major	1	7B	80 BPM
Violin Concerto: III. Intermezzo	György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu	B♭ Major	1	6B	82 BPM
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio	Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti	B♭ Minor	0	3A	82 BPM
Bending the bars	Upside Down Upright Bass	A Minor	0	8A	130 BPM
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 2. Langsam	Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov	C Major	0	8B	95 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6031522750854492

End: 0.6078169345855713