Alan Oke, David Fieldsend, New D'Oyly Carte Opera's 'The Gondoliers: Buon Giorno, Signorine' had a release date set for January 1, 1991. The duration of This song is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. The Gondoliers: Buon Giorno, Signorine's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 38 in the song's album "The Gondoliers (New D'Oyly Carte Opera Cast Recording)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. The Gondoliers: Buon Giorno, Signorine is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With The Gondoliers: Buon Giorno, Signorine by Alan Oke, David Fieldsend, New D'Oyly Carte Opera having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM | ||
Les Troqueurs, Scène 4 - 5: Air "Ah! qu'il me tarde de te voir" (Margot) - "Va, va, j'épouserais morbleu..." (Lucas) | Antoine Dauvergne, Cappella Coloniensis, Jean-Marc Salzmann, Mary Saint-Palais, William Christie | E Minor | 2 | 9A | 71 BPM | ||
La forza del destino, Act IV, Scene I: Fate la carità | Giuseppe Verdi, Carlo Lepore, Riccardo Zanellato, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | E Major | 3 | 12B | 88 BPM | ||
Mysliveček: Demetrio: "Mi parea del porto in seno" (Cleonice) | Josef Mysliveček, Emőke Baráth, Vaclav Luks | F Major | 2 | 7B | 134 BPM | ||
Peter Grimes, Op. 13: Act II Scene II: Now! Now! (Peter, Chorus) | Benjamin Britten, Alan Oke, Steuart Bedford, Britten-Pears Orchestra | C Major | 2 | 8B | 131 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (a) "Rien! En vain j'interroge" (Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Puccini: Turandot, Act 2: "O mondo, pieno di pazzi innamorati!" (Ping, Pang, Pong, Chorus) | Giacomo Puccini, Mario Boriello, Renato Ercolani, Piero de Palma, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Mario Borriello, Orchestra Del Teatro Alla Scala, Milano, Piero de Palma, Renato Ercolani, Tullio Serafin | F♯ Major | 2 | 2B | 78 BPM | ||
Ariettes oubliées, CD 63, L. 60 (Arr. for Orchestra by Brett Dean): III. L'ombre des arbres | Claude Debussy, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | B♭ Major | 1 | 6B | 76 BPM |