Lithuanian Chamber Orchestra's 'The Messiah: Part. II, Accompagnato (He was cut off out of the land' came out on November 28, 2008. With The Messiah: Part. II, Accompagnato (He was cut off out of the land being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #30. Based on our statistics, The Messiah: Part. II, Accompagnato (He was cut off out of the land's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Messiah: Part. II, Accompagnato (He was cut off out of the land by Lithuanian Chamber Orchestra having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance: Tempo di Mazurka | Tbilisi Symphony Orchestra | E Minor | 0 | 9A | 134 BPM | ||
Concerto for Viola and String Orchestra: II. Allegro | Georg Philipp Telemann, Lithuanian Chamber Orchestra | G Major | 5 | 9B | 112 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 2, HWV 313: II. Largo | George Frideric Handel, Royal Northern Sinfonia, Bradley Creswick | G Minor | 1 | 6A | 77 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
The Messiah: Part. I, Aria (Ev'ry valley shall be exalted | Lithuanian Chamber Orchestra | E Major | 2 | 12B | 97 BPM | ||
Rinaldo, HWV 7b: Act I: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |
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