"The Prison: No. 5, He Asks In What Shape Emancipation Will Come" by Ethel Smyth, Sarah Brailey, Dashon Burton, Experiential Orchestra, Experiential Chorus, James Blachly was released on August 7, 2020. With The Prison: No. 5, He Asks In What Shape Emancipation Will Come being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Smyth: The Prison". In this album, this song's track order is #5. In terms of popularity, The Prison: No. 5, He Asks In What Shape Emancipation Will Come is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Prison: No. 5, He Asks In What Shape Emancipation Will Come by Ethel Smyth, Sarah Brailey, Dashon Burton, Experiential Orchestra, Experiential Chorus, James Blachly having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in C Minor: III. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | D♭ Major | 0 | 3B | 81 BPM | ||
Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
Valses nobles et sentimentales, M. 61 (1912 Version for Orchestra): No. 3, Modéré | Maurice Ravel, Basque National Orchestra, Robert Trevino | C Major | 0 | 8B | 82 BPM | ||
Clarinet Trio in E-Flat Major, Op. 44: II. Adagio | Louise Farrenc, Dieter Klöcker, Peter Horr, Werner Genuit | A♭ Major | 0 | 4B | 65 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
Der Wald: III. Scene II | Ethel Smyth, Natalya Romaniw, Andrew Shore, Matthew Brook, BBC Singers, BBC Symphony Orchestra, John Andrews | A Major | 2 | 11B | 69 BPM | ||
Symphony No. 1, Op. 11: I. Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Symphony No. 3, Op. 56, "Scottish": II. Vivace non troppo | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Der Wald: X. Scene IX | Ethel Smyth, Natalya Romaniw, Claire Barnett-Jones, Robert Murray, BBC Symphony Orchestra, John Andrews | E Minor | 2 | 9A | 71 BPM | ||
Piano Trio in D Minor, Op. 120: I. Allegro, ma non troppo | Gabriel Fauré, Florestan Trio | B♭ Major | 1 | 6B | 180 BPM |
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