Luigi Arditi, David Harper, Jennifer Larmore's ' "Arditi: Leggero, invisible" was released on its scheduled release date, 2002. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Il Salotto Vol. 5: La Rimembranza" album is number 15 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Arditi: Leggero, invisible is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Arditi: Leggero, invisible by Luigi Arditi, David Harper, Jennifer Larmore to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio) | Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | F Major | 1 | 7B | 133 BPM | ||
Puccini: La bohème, Act 1: "Sì. Mi chiamano Mimì" (Mimì, Rodolfo) | Giacomo Puccini, Victoria de los Ángeles, Jussi Björling, Sir Thomas Beecham, RCA Victor Orchestra | D Major | 1 | 10B | 175 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | F Major | 3 | 7B | 171 BPM | ||
Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Teresa Berganza, Orchestra of the Royal Opera House, Covent Garden, Sir Alexander Gibson | C Major | 1 | 8B | 77 BPM | ||
Parla! (Recorded 1906) | Luigi Arditi, Marcella Sembrich, Walter B. Rogers | D Major | 1 | 10B | 86 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM |