"Ach wie sehnlich wart' ich der Zeit" by Johann Michael Bach, Henri Ledroit, Ricercar Consort was released on 1997. Since Ach wie sehnlich wart' ich der Zeit is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Collegium Vocale Gent, Capella Sancti Michaëlis, Ricercar Consort's "Motetten & Kantaten der Bach Familie" album is number 2 out of 27. On top of that, Belgium appears to be the country where this track was created. Ach wie sehnlich wart' ich der Zeit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ach wie sehnlich wart' ich der Zeit by Johann Michael Bach, Henri Ledroit, Ricercar Consort to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Jesu, meines Lebens Leben in D Minor, BuxWV 62: II. Ciaconna | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 118 BPM | ||
XXII. Er ist das Heil und selig Licht | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Messe de requiem: I. Requiem | André Campra, Philippe Herreweghe, Orchestre de La Chapelle Royale, Chœur de la Chapelle Royale, La Chapelle Royale | E♭ Major | 2 | 5B | 82 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Sei lieber Tag wilkommen | Johann Michael Bach, Choir of Clare College, Cambridge, Timothy Brown | B♭ Major | 1 | 6B | 97 BPM | ||
Trio Sonata in D Major, BuxWV 267 | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin, Benoît Vanden Bemden, Mélissande Corriveau | D Major | 1 | 10B | 97 BPM | ||
Byrd: Sing Joyfully Unto God | William Byrd, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 111 BPM | ||
Nun Hab 'Ich Überwunden | Timothy Brown, Choir of Clare College, Cambridge, Johann Michael Bach, Nicholas Parker, Helen Gough, Keri Dexter, Tim Handley, Liz Kenny | G Major | 1 | 9B | 78 BPM | ||
Vespro della Beata Vergine, SV 206: II. Psalm "Dixit Dominus" | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 0 | 7A | 65 BPM |
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