On February 12, 2021, the song "Goldberg Variations, BWV 988: Variatio 23 a 2 Clav. - Live at Thomaskirche Leipzig / 2020" was released by Johann Sebastian Bach, Lang Lang. The duration of Goldberg Variations, BWV 988: Variatio 23 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Goldberg Variations, BWV 988: Variatio 23 a 2 Clav. - Live at Thomaskirche Leipzig / 2020's duration is considered a little bit shorter than the average duration of a typical track. The song is number 24 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 23 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 is currently below average in popularity. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Goldberg Variations, BWV 988: Variatio 23 a 2 Clav. - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G minor, after unknown, BWV 983: Adagio | Ivo Janssen | G Minor | 0 | 6A | 72 BPM | ||
Cello Suite No. 3 In C major, BWV 1009 : III Courante | Pablo Casals | G Major | 2 | 9B | 170 BPM | ||
Suite No. 4 in A Minor, Z. 663: IV. Saraband | Henry Purcell, Richard Egarr | G Minor | 1 | 6A | 82 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre | François Couperin, Iddo Bar-Shaï | E Minor | 0 | 9A | 76 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
We Don’t Talk About Bruno - From "Encanto" | Lang Lang | B♭ Major | 8 | 6B | 140 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: III. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Minor | 1 | 4A | 101 BPM | ||
Suite No. 6 in F-Sharp Minor, HWV 431: IV. Gigue. Presto | George Frideric Handel, Dina Ugorskaja | E Minor | 2 | 9A | 105 BPM |
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