Johann Nepomuk Hummel, Caroline Almonte made "Ausführliche theoretisch-practische Anweisung zum Piano-Forte-Spiel: No. 32, Etude" available on June 14, 2014. With Ausführliche theoretisch-practische Anweisung zum Piano-Forte-Spiel: No. 32, Etude being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 3 out of 12 in AMEB Piano Series 17 Grade 3 by Caroline Almonte. In terms of popularity, Ausführliche theoretisch-practische Anweisung zum Piano-Forte-Spiel: No. 32, Etude is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Ausführliche theoretisch-practische Anweisung zum Piano-Forte-Spiel: No. 32, Etude by Johann Nepomuk Hummel, Caroline Almonte is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Piano Trio No. 1 in E-Flat Major, Op. 12: II. Andante | Johann Nepomuk Hummel, Borodin Trio | E♭ Major | 2 | 5B | 122 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Major | 1 | 8B | 85 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B. 179 - "American": 2. Lento | Antonín Dvořák, Emerson String Quartet | D Minor | 1 | 7A | 104 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 3. Intermezzo: Andante con moto | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E Minor | 0 | 9A | 136 BPM | ||
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato | Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller | D Major | 3 | 10B | 85 BPM |
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