Matthew Locke, The London Gabrieli Brass Ensemble made "Music for His Majesty's Sackbuts and Cornetts: Courant" available on January 1, 1982. With Music for His Majesty's Sackbuts and Cornetts: Courant being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 43 in the song's album "The Baroque Brass Collection". In this album, this song's track order is #33. Furthermore, we believe that the track originated from United Kingdom. Music for His Majesty's Sackbuts and Cornetts: Courant is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Music for His Majesty's Sackbuts and Cornetts: Courant by Matthew Locke, The London Gabrieli Brass Ensemble having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
III. Grave | Carlo Arrigoni, Artemandoline | D♭ Major | 1 | 3B | 79 BPM | ||
Recueil de plusieurs belles pièces de simphonies: Bransle de Mr de Luly / Bransle guay / Bransle à mener | Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
Recercada No. 1: Recercada primera | Diego Ortiz, Rolf LaFleur, Bengt Ericson | D Minor | 2 | 7A | 104 BPM | ||
Trio in E-Flat Major for Viola d’amore, Bass Chalumeau & Continuo: I. Largo | Christoph Graupner, Hélène Plouffe, Mark Simons, David Jacques, Erin Helyard, Jacques-Olivier Chartier, Chloe Meyers, Amanda Keesmaat, Sophie Larivière, Olivier Laquerre | E Major | 0 | 12B | 116 BPM | ||
Minuet in G Major, BWV Anh. 114 – Minuet in G Minor, BWV Anh. 115 (Formerly Attrib. Bach) | Christian Petzold, Mahan Esfahani | B♭ Minor | 0 | 3A | 89 BPM | ||
Canzoni, libro 1b: Toccata per spinettina, è violino, F 8.49 | Girolamo Frescobaldi, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | A♭ Minor | 1 | 1A | 78 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Psyche, Act V Scene 1: Psyche, draw near (Proserpina & Pluto) | Matthew Locke, Ensemble Correspondances, Sébastien Daucé, Davy Cornillot, Nicolas Brooymans | D♭ Major | 1 | 3B | 122 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: IX. Gigue | Dietrich Becker, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | F Minor | 3 | 4A | 81 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM |
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