- BPM
- 81
- Key
- F Major
- Camelot
- 7B
Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) - Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini Information
- Acousticness
- 99%
- Danceability
- 21%
- Energy
- 8%
- Instrumentalness
- 11%
- Liveness
- 52%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 1%
- Loudness
- -21.197 dB
Summary
"Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea)" by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini was released on January 1, 2003. With this song being about 5 minutes long, at 4:30, "Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea)" by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 23 in Cherubini, L.: Medea [Opera] (1953) by Luigi Cherubini, Maria Callas, Andrea Morosini. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) BPM
The tempo marking of Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | |
 | Medea (Medee) (Sung in Italian): Act I: Aria: Or che piu non vedro (Giasone) - Recitative: Ah, gia troppo turbo (Creonte) | Luigi Cherubini, Kolos Kováts, Magda Kalmár, Veriano Luchetti, Sylvia Sass, Klára Takács, József Gregor, Veronika Kincses, Katalin Szőkefalvi-Nagy, Hungarian Radio and Television Chorus, Budapest Symphony Orchestra, Lamberto Gardelli | A♭ Major | 0 | 4B | 73 BPM | |
 | String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": IV. Presto | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | |
 | Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | |
 | Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | |
 | Requiem C-Moll: 4. Dies irae | Luigi Cherubini, Akiho Tsujii, Martin Lattke, Paul Kroeger, Kammerchor der Frauenkirche, Philharmonisches Orchestra Altenburg Gera, Matthias Grünert | B♭ Major | 1 | 6B | 115 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | |
 | St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | |
 | Requiem, Op. 9 (1961 version): Lux aeterna | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | B♭ Major | 0 | 6B | 84 BPM | |
 | Violin Concerto No. 1 in G Minor, Op. 26: I. Allegro moderato | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | E♭ Major | 2 | 5B | 99 BPM |
- ISRC
- USB8U1005682
- Label
- L-M Records/RCA Records
Section: 0.9924421310424805
End: 0.9964501857757568