"Sitting Once Rapt with Delight" by Walter Porter, Consort Of Musicke, Anthony Rooley had its release date on March 14, 2018. The duration of This song is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Sitting Once Rapt with Delight's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Walter Porter: Madrigales and Ayres, 1632 by Walter Porter, Consort Of Musicke, Anthony Rooley. The song's track number on the album is #4 out of 19 tracks. Based on our data, Spain was the country where this track was produced or recorded. Sitting Once Rapt with Delight is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sitting Once Rapt with Delight by Walter Porter, Consort Of Musicke, Anthony Rooley has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sitting Once Rapt with Delight being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM | ||
Guerrero: Beatus es | A5 Vocal Ensemble, Francisco Guerrero | A♭ Minor | 2 | 1A | 128 BPM | ||
Hail, Cloris, Hail! | Walter Porter, Consort Of Musicke, Anthony Rooley | C Minor | 1 | 5A | 84 BPM | ||
Sistite sidera, coeli motus otiamini: No. 6, Aria, "Praestet tellus encomia florum" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Messa Delli Apostoli: Kyrye I | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Lamentations of Jeremiah I: II. Aleph | Thomas Tallis, Owain Park, The Gesualdo Six | F♯ Major | 2 | 2B | 58 BPM | ||
Sancte Michael | Timothy A. Helisek, Moscow Bow Tie Choir, Vladimir Podgoretsky | C Minor | 1 | 5A | 87 BPM | ||
La Favolla d'Apollo: 13. Ohimè che vegg’io a 5 "La Dafne" | Marco da Gagliano, Ensemble Pygmalion, Deborah Cachet, Raphael Pichon, Lucile Richardot, Davy Cornillot, Maïlys De Villoutreys, Nicolas Brooymans | C Major | 3 | 8B | 79 BPM | ||
Dispietata pietate | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM |