"O lux beata Trinitas" by Christopher Tye, Laurence Dreyfus, Phantasm was released on September 22, 2017. The duration of O lux beata Trinitas is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. O lux beata Trinitas's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Tye: Complete Consort Music". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, O lux beata Trinitas is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O lux beata Trinitas by Christopher Tye, Laurence Dreyfus, Phantasm having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
Messe vidi turbam magnam: No. 7, Agnus dei | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 1 | 7B | 67 BPM | ||
Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
A Worcester Ladymass: O Maria virgo pia | Traditional, Trio Mediæval | A Minor | 0 | 8A | 80 BPM | ||
Ancor che col partire | Cipriano de Rore, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 2 | 8A | 73 BPM | ||
Ego Flos Campi | Oxford Camerata, Jacob Clemens non Papa | F♯ Major | 0 | 2B | 139 BPM | ||
Balletto | Vincenzo Capirola, Shirley Rumsey | D Major | 0 | 10B | 81 BPM |
Section: 0.5671098232269287
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