"Miserere a 5: No. 5, Cor mundum crea in me" by Francesco Scarlatti, Catherine Greuillet, Marie-Pierre Wattiez, Christophe Laporte, Vincent Bouchot, Paul Willenbrock, Yannick Varlet, Virginie Descharmes, Meike Augustin, Michel Renard, Pauline Warnier was released on 2001. With Miserere a 5: No. 5, Cor mundum crea in me being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble William Byrd, Graham O'Reilly's "Miserere: Works by Gregorio Allegri, Leonardo Leo, Giovanni Moro da Viadana & Francesco Scarlatti" album is number 16 out of 35. Miserere a 5: No. 5, Cor mundum crea in me is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Miserere a 5: No. 5, Cor mundum crea in me by Francesco Scarlatti, Catherine Greuillet, Marie-Pierre Wattiez, Christophe Laporte, Vincent Bouchot, Paul Willenbrock, Yannick Varlet, Virginie Descharmes, Meike Augustin, Michel Renard, Pauline Warnier to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata No. 6 for Three Cellos in D Minor: I. Andantino posato | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | E♭ Minor | 1 | 2A | 143 BPM | ||
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: IV. Choral (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Stabat Mater, P. 77: X. Fac, ut portem | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Sonata in D Minor: V. Fugue | Anne Danican Philidor, Héloïse Gaillard, Jeanne Jourquin, Eleanor Lewis | D♭ Minor | 3 | 12A | 115 BPM | ||
Messa a 16 voci con instromenti, Toni 2: II. Et in terra pax | Francesco Scarlatti, Armonico Consort, Christopher Monks | B Major | 1 | 1B | 83 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 1, Le charme | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: III. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Messa Della Domenica: Canzon Dopo la Pistola | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM | ||
Concerto grosso No. 3 in A minor: II. Andante | Francesco Scarlatti, {oh!} Orkiestra Historyczna, Martyna Pastuszka | A♭ Minor | 4 | 1A | 112 BPM |
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