"Geselle, woll'n wir uns in Kutten hüllen" by Hugo Wolf, Christian Gerhaher was released on March 25, 2011. The duration of Geselle, woll'n wir uns in Kutten hüllen is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Geselle, woll'n wir uns in Kutten hüllen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wolf: Italienisches Liederbuch by Hugo Wolf, Christian Gerhaher. The song's track number on the album is #14 out of 46 tracks. Geselle, woll'n wir uns in Kutten hüllen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Geselle, woll'n wir uns in Kutten hüllen by Hugo Wolf, Christian Gerhaher has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Geselle, woll'n wir uns in Kutten hüllen being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Immer leiser wird mein Schlummer, Op.105, No.2 | Johannes Brahms, Jessye Norman, Daniel Barenboim | D Minor | 0 | 7A | 82 BPM | ||
Du bist die Ruh', Op. 59/3, D.776 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | C Major | 0 | 8B | 80 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Waldeinsamkeit | Max Reger, Regula Mühlemann, Adrian Baianu | G Major | 1 | 9B | 104 BPM | ||
Two Little Flowers (and dedicated to them) (Charles Ives) | Charles Ives, Nathan Gunn, Kevin Murphy | A Major | 0 | 11B | 68 BPM | ||
Les Berceaux, Op. 23 No. 1 | Gabriel Fauré, Cyrille Dubois, Tristan Raës | C Major | 0 | 8B | 66 BPM | ||
Poulenc: Banalités, FP 107: No. 2, Hôtel | Francis Poulenc, Sabine Devieilhe, Alexandre Tharaud | D Major | 0 | 10B | 166 BPM | ||
Lieder (Duette), Op. 63: III. Gruß | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Major | 1 | 8B | 137 BPM | ||
Dispersed And Transcendental Chants, Op. 18: Chant 7. Mother | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Winterreise, D. 911: No. 3, Gefrorne Tränen | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM |
Section: 0.6682648658752441
End: 0.6739652156829834