Rolf Schweizer made "Die Flötenuhr, 1792: VIII. Minuet" available on 1991. With Die Flötenuhr, 1792: VIII. Minuet being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 12 out of 23. In terms of popularity, Die Flötenuhr, 1792: VIII. Minuet is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Die Flötenuhr, 1792: VIII. Minuet by Rolf Schweizer to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
11. Aria: So stehet ein Berg Gottes | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | C Major | 2 | 8B | 125 BPM | ||
Biber: Requiem a 15 in A Major: V. Sanctus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Christ ist auferstanden | Rolf Schweizer, Kinder- und Jugendchor St. Fidelis/St. Johann Sigmaringen, Klaus Krämer | A Minor | 0 | 8A | 88 BPM | ||
Tönet die Freude, belebte Trompeten, TVWV 1:1410: XX. 12 Choral "Herr, sei gebenedeit" | Georg Philipp Telemann, Das Kleine Konzert, Hermann Max, Veronika Winter, Anne Bierwirth, Georg Poplutz, Matthias Vieweg | A♭ Major | 2 | 4B | 144 BPM | ||
Missa in Angustiis "Lord Nelson Mass": Missa in Angustiis "Lord Nelson Mass": IV. Quoniam | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | D Major | 3 | 10B | 123 BPM | ||
Allein Gott in der Höh sey Ehr, SwWV 299: IV. Variation IV | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Laudate Pueri: VII. Gloria Patri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford | A Major | 1 | 11B | 85 BPM | ||
Missa Brevis In B Flat Major Kv 275: Credo | Nicol Matt, Gabriele Wunderer, Anja Bittner, Kurpfälzisches Kammerorchester Mannheim, Nordic Chamber Choir, Manfred Bittner, Robert Morvaj, Reinhard Geller, Jens Wollenschläger, Wolfgang Amadeus Mozart | B♭ Major | 2 | 6B | 93 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Urkukoraali: Ylistän herran nimeä | Martti Syrjäniemi | G Major | 0 | 9B | 113 BPM |
Section: 0.7418496608734131
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