The Sixteen's 'Messiah: Part 3, Worthy is the Lamb that was slain (Chorus)' came out on September 1, 2008. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 30 out of 56. In terms of popularity, Messiah: Part 3, Worthy is the Lamb that was slain (Chorus) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Messiah: Part 3, Worthy is the Lamb that was slain (Chorus) by The Sixteen to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatre Motets sur des thèmes grégoriens, Op. 10: I. Ubi caritas | Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Major | 0 | 5B | 130 BPM | ||
A Ceremony Of Carols, Op. 28: There Is No Rose | Benjamin Britten, Sioned Williams, Harry Christophers | B♭ Major | 0 | 6B | 129 BPM | ||
O magnum mysterium (Motet) | Giovanni Pierluigi da Palestrina, The Sixteen, Harry Christophers | C Minor | 1 | 5A | 84 BPM | ||
Ave Maria | Robert Parsons, The Cambridge Singers, John Rutter | B♭ Major | 1 | 6B | 82 BPM | ||
Bogoróditse Djévo | Arvo Pärt, Pro Arte Singers, Theatre Of Voices, Paul Hillier | A Major | 1 | 11B | 69 BPM | ||
Vom Himmel hoch: VI. Schlusschor "Lob, ehr sei Gott im höchsten Thron" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | C Major | 2 | 8B | 92 BPM | ||
Ev'ry Valley Shall Be Exalted | The Tabernacle Choir at Temple Square, Orchestra at Temple Square, Rolando Villazón | D Major | 2 | 10B | 82 BPM | ||
O sacred head, sore wounded ('Passion Chorale': English Hymnal No. 102; O Haupt voll Blud und Wunden from the St Matthew Passion BWV244 Nos. 21 & 72) | Hans Leo Hassler, Choir of King's College, Cambridge, David Willcocks, Sir David Willcocks | D Major | 1 | 10B | 177 BPM | ||
O magnum mysterium | Tomás Luis de Victoria, The Cambridge Singers, John Rutter | A♭ Minor | 0 | 1A | 85 BPM | ||
Tallis: If Ye Love Me | Thomas Tallis, Choir of King's College, Cambridge, Philip Ledger | D Major | 1 | 10B | 135 BPM |
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