"Quatre Motets sur des thèmes grégoriens, Op. 10: I. Ubi caritas" by Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury had its release date on September 9, 2016. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 18 in Duruflé: Requiem, Four Motets, Messe Cum Jubilo by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge. Based on our statistics, Quatre Motets sur des thèmes grégoriens, Op. 10: I. Ubi caritas's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre Motets sur des thèmes grégoriens, Op. 10: I. Ubi caritas by Maurice Duruflé, Choir of King's College, Cambridge, Stephen Cleobury is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Gaude Gloriosa - 3. Gaude, Concivis in Caelis Sanctorum | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 74 BPM | ||
Messiah / Part 3: "Since by man came death" | George Frideric Handel, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 1 | 7A | 124 BPM | ||
O Magnum Mysterium | Nordic Chamber Choir - Nicol Matt | D Major | 0 | 10B | 140 BPM | ||
Trumpet Tune | Jeremiah Clarke, Håkan Hardenberger, Simon Preston | D Major | 3 | 10B | 65 BPM | ||
De Victoria: O magnum mysterium | Tomás Luis de Victoria, Chanticleer | A♭ Minor | 1 | 1A | 77 BPM | ||
Silent Night (Arr. John Rutter) | Franz Xaver Gruber, Daniel Hyde, Choir of King's College, Cambridge, Britten Sinfonia | B Major | 1 | 1B | 89 BPM | ||
Ave Maris Stella | Edvard Grieg, The Sixteen, Harry Christophers | G Major | 1 | 9B | 136 BPM | ||
Glory to thee, my God, this night | Thomas Tallis, The Cambridge Singers, John Rutter | A♭ Major | 1 | 4B | 79 BPM | ||
Tallis: If ye love me | Thomas Tallis, The Tallis Scholars, Peter Phillips | E Major | 0 | 12B | 81 BPM | ||
Jesus Christ the Apple Tree | Elizabeth Poston, Armonico Consort, Christopher Monks | C Major | 0 | 8B | 82 BPM |