- BPM
- 58
- Key
- F Minor
- Camelot
- 4A
La Belle et Avenant (Beauty and Avenant) - Georges Auric, Moscow Symphony Orchestra, Adriano Information
- Acousticness
- 94%
- Danceability
- 21%
- Energy
- 3%
- Instrumentalness
- 92%
- Liveness
- 13%
- Loudness
- 45%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -32.887 dB
Summary
"La Belle et Avenant (Beauty and Avenant)" by Georges Auric, Moscow Symphony Orchestra, Adriano had its release date on February 7, 1996. With This song being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 24 in Auric: La Belle Et La Bete (Beauty and the Beast) by Georges Auric, Adriano. La Belle et Avenant (Beauty and Avenant) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Belle et Avenant (Beauty and Avenant) BPM
The tempo marking of La Belle et Avenant (Beauty and Avenant) by Georges Auric, Moscow Symphony Orchestra, Adriano is Lento (slowly), since this song has a tempo of 58 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
La Belle et Avenant (Beauty and Avenant) Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Metropolis: III. Furioso: Die Versohnung | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | A♭ Major | 2 | 4B | 96 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
 | Quiet City | Aaron Copland, Paula Engerer, Scott Moore, Nashville Chamber Orchestra, Paul Gambill | F Major | 0 | 7B | 72 BPM | |
 | Capri | Georges Delerue | A Major | 2 | 11B | 61 BPM | |
 | Morning Tears | Alexandre Desplat, Lang Lang, Vincent Ségal, Prague Symphony Orchestra | E♭ Minor | 0 | 2A | 75 BPM | |
 | Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | |
 | Wuthering Heights - Cathy's Theme | Alfred Newman, Hollywood Bowl Orchestra, John Mauceri | D♭ Major | 2 | 3B | 88 BPM | |
 | Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM | |
 | Spartacus - Love Theme | Alex North | A Minor | 2 | 8A | 96 BPM | |
 | The Girl - Theme | Trevor Duncan | A Minor | 3 | 8A | 67 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records