On November 5, 1999, the song "Musicalischer Parnassus: Calliope, Suite No. 5: Gigue" was released by Johann Caspar Ferdinand Fischer, Luc Beauséjour. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 36 in Fischer: Musical Parnassus, Vol. 1 by Johann Caspar Ferdinand Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Musicalischer Parnassus: Calliope, Suite No. 5: Gigue is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Musicalischer Parnassus: Calliope, Suite No. 5: Gigue by Johann Caspar Ferdinand Fischer, Luc Beauséjour is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dieupart: Harpsichord Suite No. 5 in G Major: III. Courante (Version With Recorder) | Charles Dieupart, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | E Major | 0 | 12B | 116 BPM | ||
Airs for the Spring: Crocus: I. Aria: Moderato | James Oswald, The Broadside Band | D♭ Minor | 2 | 12A | 92 BPM | ||
Feet in the Clouds | Fiona Ubong | F♯ Major | 1 | 2B | 73 BPM | ||
Gallimathias musicum in D Major, K. 32: IV. Allegro finale | Wolfgang Amadeus Mozart, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | A Major | 2 | 11B | 112 BPM | ||
Les Augustales: Le théâtre s’éclaire | François Rebel, François Francoeur, Théotime Langlois de Swarte, Justin Taylor | E Minor | 1 | 9A | 122 BPM | ||
Ariadne Musica: Prélude No. 13 et fugue | Johann Caspar Ferdinand Fischer, Elisabeth Joyé | F♯ Major | 0 | 2B | 51 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
6 Sonates meleese de pieces, Op. 2: III. Sonata in E Minor, "La Dherouville”: V. Giga. Allegro | Michel Blavet, Claudio Ferrarini, Accademia Farnese | E Minor | 3 | 9A | 83 BPM | ||
Lœillet of Ghent: Recorder Sonata in C Minor, Op. 2 No. 5: II. Vivace | Jean-Baptiste Lœillet of Ghent, Frans Brüggen, Gustav Leonhardt, Nikolaus Harnoncourt | D♭ Minor | 2 | 12A | 117 BPM | ||
Premier livre de pièces de clavecin, Suite in A Minor, RCT 1: IX. Menuet | Jean-Philippe Rameau, Mahan Esfahani | A♭ Major | 4 | 4B | 62 BPM |