Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 67.2 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 67.2 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Kapitel 67.2 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #144 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 67.2 - Wie Google tickt - How Google Works is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 67.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 67.2 - Wie Google tickt - How Google Works being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 29.3 & Kapitel 30.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | F♯ Major | 2 | 2B | 85 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Schlichte Weisen, Op. 76: No. 52, Mariä Wiegenlied | Jane Edwards, Marshall McGuire | F Major | 1 | 7B | 76 BPM | ||
Große Messe C Major, op.86: Kyrie | Ludwig van Beethoven, Regine Hangler, Martina Mikelic, Ilker Arkayürek, Christian Hübner, Chor von St. Augustin, Robert Rieder | G Major | 1 | 9B | 92 BPM | ||
Christ lag in Todesbanden: II. Choral "Christ lag in Todesbanden" | Johann Kuhnau, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Requiem in C Minor: I. Introitus & Kyrie | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | F Major | 0 | 7B | 74 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Arpeggione Sonata in A Minor, D. 821 (Arr. for Flute & String Quintet by Anonymous): II. Adagio | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Myrthen, Op. 25: No. 7. Die Lotosblume | Robert Schumann, Margaret Price, James Lockhart | D Major | 1 | 10B | 93 BPM |
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