"Pléïades: III. Melanges" by Iannis Xenakis, Kroumata Percussion Ensemble, Anders Loguin was released on December 31, 1990. Since Pléïades: III. Melanges is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Xenakis: Pleiades / Psappha by Iannis Xenakis, Gert Mortensen, Kroumata Percussion Ensemble, Anders Loguin. The song's track number on the album is #3 out of 5 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Pléïades: III. Melanges is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Pléïades: III. Melanges by Iannis Xenakis, Kroumata Percussion Ensemble, Anders Loguin has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Pléïades: III. Melanges being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: III. Intermezzo | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | B♭ Major | 1 | 6B | 82 BPM | ||
Railroad (Travel Song) | Meredith Monk, Bruce Brubaker | E Minor | 1 | 9A | 190 BPM | ||
Nuits | Iannis Xenakis, Schola Heidelberg, Walter Nußbaum | D Major | 2 | 10B | 123 BPM | ||
3 Klavierstücke, Op. 11: No. 1, Mäßige Viertel | Arnold Schoenberg, Glenn Gould | A♭ Major | 0 | 4B | 79 BPM | ||
Melody | Joseph Moiseyevich Schillinger, Lydia Kavina, Joshua Pierce | B♭ Minor | 1 | 3A | 0 BPM | ||
2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic | Harry Partch, Just Strings, John Schneider, Amy Shulman | G Minor | 1 | 6A | 117 BPM | ||
Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
Semi-Simple Variations | Milton Babbitt, Robert Taub | B Major | 0 | 1B | 136 BPM |
Section: 0.5844893455505371
End: 0.5898966789245605