Joseph Haydn, Jean-Efflam Bavouzet's 'Sonata No. 50 in D Major, Hob. XVI:37: Sonata No. 50 in D Major, Hob. XVI:37: II. Largo e sostenuto' came out on April 1, 2011. The duration of Sonata No. 50 in D Major, Hob. XVI:37: Sonata No. 50 in D Major, Hob. XVI:37: II. Largo e sostenuto is about 3 minutes long, at 3:11. Based on our data, "Sonata No. 50 in D Major, Hob. XVI:37: Sonata No. 50 in D Major, Hob. XVI:37: II. Largo e sostenuto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Joseph Haydn, Jean-Efflam Bavouzet's "Haydn: Piano Sonatas, Vol. 2" album is number 7 out of 13. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Sonata No. 50 in D Major, Hob. XVI:37: Sonata No. 50 in D Major, Hob. XVI:37: II. Largo e sostenuto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata No. 50 in D Major, Hob. XVI:37: Sonata No. 50 in D Major, Hob. XVI:37: II. Largo e sostenuto by Joseph Haydn, Jean-Efflam Bavouzet to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Mandolin Concerto in G Major, S. 28: I. Allegro moderato | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens | G Major | 1 | 9B | 119 BPM | ||
Boccherini: Cello Concerto No. 7 in G Major, G. 480: I. Allegro | Luigi Boccherini, Steven Isserlis, Ostrobothnian Chamber Orchestra, Juha Kangas | F Major | 5 | 7B | 107 BPM | ||
Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 84 BPM | ||
Sinfonia in D Major, BWV 1045: I. Allegro | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl | D Major | 3 | 10B | 98 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin | Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 80 BPM |
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