Magda Kalmár, Zorán's 'Ebből se lesz már szerelem: Ebbol se lesz már szerelem' came out on September 1, 1994. With this song being about 5 minutes long, at 5:07, "Ebből se lesz már szerelem: Ebbol se lesz már szerelem" by Magda Kalmár, Zorán is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Táncdalfesztivál '68 & '69 Válogatás - Tessék választani! '70". In this album, this song's track order is #21. In terms of popularity, Ebből se lesz már szerelem: Ebbol se lesz már szerelem is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Ebből se lesz már szerelem: Ebbol se lesz már szerelem by Magda Kalmár, Zorán having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
III. Seht, seht! wie reißt, wie bricht, wie fällt (Aria) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Daniel Johannsen | A♭ Major | 2 | 4B | 92 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 21. Recitativ, "Wie sieht dein Haar" (Zion) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Miriam Feuersinger | A♭ Minor | 2 | 1A | 96 BPM | ||
Canzona in C Major, FbWV 305, Pt. 3 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Laudate Dominum | Natalie Choquette | F Major | 2 | 7B | 104 BPM | ||
Matthäuspassion, BWV 244: Duet: So ist mein Jesus nun gefangen (Soprano, Alto, Chorus I and II) | Johann Sebastian Bach, Marianne Beate Kielland, Claudia Couwenbergh, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | B Minor | 2 | 10A | 103 BPM | ||
Stabat Mater in F Minor, G. 532: IV. Quis est homo. Adagio assai - Recitativo | Luigi Boccherini, Núria Rial, Orchester Le Phenix | G Major | 3 | 9B | 150 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
Nisi Dominus, ZWV 92: Nisi Dominus - World Premiere Recordings | Jan Dismas Zelenka, Ensemble Inégal, Prague Baroque Soloists, Adam Viktora, Gabriela Eibenová, Filippo Mineccia, Tobias Hunger, Jiri Miroslav Prochazka | A♭ Minor | 3 | 1A | 112 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM | ||
Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Johanna Winkel, Viktoria Wilson, Alex Potter, Hugo Hymas, Andreas Wolf, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |
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